Kelly Sue DeConnickkellysue.com |
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Flight Plan: Or, What’s This About Pre-Ordering?Okay. Deep breath. I’ve gone on at some length here and at other places about how–well, I said our system was broken, is broken, but that’s more incendiary verbiage than I ought to have chosen, so let’s go with “how our system works against itself” or “has some kinks to pound out” or–oh, this one’s pretty accurate actually–is experiencing a period of uncomfortable transition. There are much smarter folks than myself analyzing and discussing it on a daily basis. If you’re interested in that sort of thing, a good place to start might be Fred Van Lente’s Comic Book History of Comics or the Awl article that published excerpts just the other day. Baaaasically, it comes down to this: most comics are still sold through specialty retailers who, unlike traditional bookstores, are not able to return unsold stock. They have limited budgets, limited shelf space and new comics come out every Wednesday! So they have to be very selective about what they buy and in what quantity. They each have their own complicated algorithms for how they place their orders, but it essentially comes down to their needing to buy what they’re pretty sure they can sell. There’s no McDonalds of comic book stores — most of these shops are “mom & pop” businesses being run by people who love the form. They’re not in a position to put their necks on the line every week. For the most part, they have to play it safe. Safe tends to mean the top selling titles (A-list heroes, A-list creators) get ordered in quantity and everything else (“the midlist”) is ordered sparingly if it’s ordered at all. (Remember: they can’t order everything. They just don’t have room–in the store or in the budget.) Publishers, in turn, use the order numbers from retailers to determine whether a book is going to continue, and for how long. Remember: these books are not returnable, so from the publisher’s perspective, each order is a sale. As such, they can have their sales figures on a particular issue before the book ever hits the racks. That’s how a book can get cancelled before it ever comes out. And folks, that happens. Not infrequently. Right here I could bore you with how publishers seem to be reacting to the buying habits of the retailers by publishing more of the A-list titles we talked about before (and or “double shipping” them, which means putting out two issues in one month) and really pruning back the midlist. Can’t blame them, really. That’s how capitalism is supposed to work, right? Right. Okay, I’m going to move on rather than opine on why I think this is a mistake and how it’s resulting in a pruning of readership as well. Honestly, I don’t have an MBA and I’m not in charge of any of these companies. My opinion on this particular issue doesn’t matter all that much and I could well be wrong. However! I do have a horse in this race. Several, actually. And the best tool I know of to combat the ouroboros of it all is the pre-order. When you pre-order a comic with your local shop, you are registering your intent to buy said comic. If the shop knows you’re going to buy, well then, that’s a no-brainer sale for them, isn’t it? Most stores will reward a guaranteed purchase with a discount. And at some stores the discounts get deeper if you subscribe to (“pull”) a title, and deeper still if you pull multiple titles. If they get enough pre-orders on a book, the book has “buzz” and they may take a chance and order a few extra copies for the shelf as well. Orders numbers go up, customer is happy, publisher is happy, book exists for at least another month. Everybody wins! So now we know why. Let’s talk how. For the purpose of this instruction set, I’m going to assume you’re brand new to this whole process. In fact, I’m kind of writing this for my mom and her friends. (Hi, mom. Hi, mom’s friends.) I’m also going to assume that you want to pre-order my book. This process is the same across the board, but, hey, this is my site, I’ve got two kids and let’s not fool anyone here, this activism is borne entirely from a desire to keep Captain Marvel (and Ghost and whatever else I’m writing) coming out every month. So okay:
[1] You should be able to click on the link and print directly from there, or right click to download and print. [2] Dark Horse Presents is a very high end and dense anthology, as such it’s a bit pricier than your standard “pamphlet” comic. It’s beautifully bound, is on great stock, with quality covers and runs $7.99. [3] IF THE STORE IS NOT HAPPY TO SEE YOU, LEAVE. Most comic book stores are fabulous places that will want to make you feel welcome and bring you into the fold. If you experience anything less, leave. Give your business to a good shop, or if there are no other options in your area, go online. I happen to know that you can pre-order CAPTAIN MARVEL #1 for $1.94 all this month at TFAW.com. Westfield Comics has it for $2.39. Midtown Comics has it for the unbelievable price of $1.49! I don’t know offhand what the shipping fees are for those sites, but I suspect they’re nominal. A brick and mortar store is ideal because it fosters community and it’s fun. But it’s not the only way to go. And there’s no reason in the world for you to be treated like anything less than the gem that you are, so if your local isn’t welcoming to you, walk away. Okay, that’s all I’ve got for the moment. It’s time for me to go pick up my kids and go on a date with my husband to see Avengers! So excited. I’ll update this as I find typos and whatnot. Oh and hey — tomorrow’s FREE COMIC BOOK DAY! Happy Free Comic Book Day, everyone!! Pre-Order Post Addendums! As predicted, I’ve learned a few things since I made this post. Here they are, as I understand them. Anybody who wants to correct me, please jump right in.
[4] I have to say I’m kind of heartbroken at the notion that it might be difficult for a new reader to subscribe to a single title. It seems… like an additional barrier to new readership at a time when we desperately need to be growing out audience. Did you know that Marvel offers subscriptions directly through their site? They do! And there doesn’t appear to be a minimum. Unfortunately, they only offer a limited number of titles and it doesn’t look like CAPTAIN MARVEL is one of them. Wah wah. Maybe they’ll add it later. I’ll kept an eye out. [5] “Previews” is the comic book industry’s catalog. Previews is published every month and is literally a catalog of all the comics (and statues and magazines and whatnot) that will be available for distribution to your local comic book shop from the distributer “Diamond” three months from the date on the catalog. Got that? Readers can use the Previews catalog pre-order form to order titles (or toys or whatever) through their retailer–not through Previews. That’s a little different than how we tend to think of catalogs working. I just wrote a whole big thing using the Victoria’s Secret catalog as an analogy, but the whole thing seemed overcomplicated so I deleted it. Previews also has a website and a users’ guide. SECOND ADDENDUM (5/7/2012) Got this lovely email back from TFAW on the issue of subscription minimums:
PREORDER CODES!!If you know what to do with PREORDER CODES, have at it! MAY120670 AVENGING SPIDER-MAN #9 MAY120693 CAPTAIN MARVEL #1 APR120013 DARK HORSE PRESENTS 13 (With first GHOST Zero Issue Installment!), Phil Noto Cover …If you don’t know what to do with a pre-order code, hang tight! I’ll be posting information and a downloadable form soon. I promise. On the Off Chance You’re Not as Sick of the Sound of My Voice as I AmTwo podcasts went up today: I had a good time doing both. My thanks to Pat, Travis, James and Brandon. I’m doing another Thursday night–with some hilarious dudes who totally intimidate me!–and then I believe I will have Collected Them All. And SCENE. C2E2Yes! I will totally be there! (Sadly, no, the rest of the family will not.) I won’t be at a table, but I will be at the following places, at the following times: Friday Signing at Marvel Booth (#515) Saturday Signing at Marvel Booth (#515) Sunday Next Big Thing Panel … Unless I’m spacing something (entirely possible–I’ve had 12 hours sleep cumulatively over the last three nights), that’s all I’ve got scheduled. HOWEVER, if you see me on the floor — I will be the 5 foot tall red-headed lady with the bright orange backpack — feel free to stop me. I will have Things To Show You. I also have a few Captain Marvel buttons left. See you there.
Kelly Sue DeConnick and Matt Fraction – DELETEI always love Ed Peterson’s photos! Emerald City Con ScheduleFraction just put our panel schedule up on his blog! When we’re not on panels, you’ll probably be able to find us at our table — M-06. Walk in and come straight to the back. We’ve got a few meetings/appointments/whatnot that may tear us away from time to time, but we’ll try to be there as much as we can. (I brought my laptop and I’ve got a ton of work to do. Pray for a Wi-Fi signal for me, will you? Wah wah.) In addition to what Fraction posted, I’ve got a signing with Phil Noto for GHOST at Dark Horse (#702) at 1pm on Sunday. Our book’s not out yet, so they’ve put together a FREE PRINT for us to sign! Come by and get you one. Oh! Oh! And at some point today, I should have unofficial Captain Marvel buttons to give out. Follow me on twitter — @kellysue — and I’ll let you know when they arrive! Follow me on Twitter, Tumblr or Facebook. Join the conversation on my Jinxworld Forum. Captain MarvelIt was announced over the weekend at WonderCon that Dexter Soy and I will be doing a Captain Marvel book starring Carol Danvers, starting in July of this year–my birthday week, as it happens. Happy birthday to me! I’ve got interview links to share galore: And I want to take a moment to clarify something I said in the Newsarama interview that’s taken on a life of its own. Here’s the bit:
Point One: That is absolutely and in no uncertain terms not meant to vilify the retailer. They retailer is as much a victim of this system as anyone — they’re working with surprisingly slim profit margins and unlike their brethren at Barnes & Noble, their products are not returnable. Which means, whatever they order, they have to be able to sell through–or they’re stuck with it. They’ve got limited shelf space and literally hundreds of titles choose from every month. I do no envy them their position. The system makes it very difficult for the retailer to take risks… Which is where pre-ordering comes into play. If you register your interest in a title–your commitment even, if you do it in the form of a pull–with your retailer, then they know that they’ve got a guaranteed sale there. And the more pre-orders they have for a title, the more likely they are to order a couple extra for the shelf, because they can have a reasonable confidence that the book will have some buzz. The better the orders, the better the forecast, and the more likely the publisher is to keep putting out the resources to keep producing the book. Remember, they’re working with limited resources too–I know, I know–but think in terms of time, not money. There are only so many editors in an office, they can only spread their attention so thin. The number of books that can be produced by any one office is limited and the ones that will win out are the ones that are expected to bring in the highest profits. Feels crass, I know, but at every stop on along the way, this is a business. Without pre-orders, the retailer has to intuit how many copies of the book they’re going to be able sell based on their experience with similar titles in the past. With Captain Marvel, we’re asking them to work out an algorithm based on what?
So. I don’t mean to sound dramatic. Really, no one’s life depends on this, does it? I worked in a surgery clinic for a while–that was life and death. This? It’s not a career-killer. This is just a bummer. And the bummer is that we’re swimming upstream here. Without preorders, retailers are going to quite naturally make modest assumptions about our prospects. Does that all make sense? There are no bad guys here. We’re all stuck in the same machine. All that said, I don’t have a better idea! I’d advocate revolution if I had ANY idea how to do it better. I do not. I leave that to wiser folks. In the meantime, with apologies in place, I ask you – If you favor an underdog–and if you read superheroes, I’m betting you do–and if you think you might be willing to take a $3 or $4 (I confess, I have no idea what price point we’ll be at) gamble on Carol, Dex and I, please let your retailer know by preordering. When I get back home and I have a chance to breathe, Chris Sebela is going to help me put together a little pre-order form that you can print off this site and take to your local comics shop. We’ll endeavor to thank you for your support by making this as easy as possible. Point Two: Of course I’m not the first person to beat this drum. I never said I was. I’m frankly surprised that bit of that interview has gotten all the traction it has. Warren Ellis started making pre-order coupons for his books and advocating the practice easily ten years ago. I humbly recall that I got pissy about it back then. (Sorry, Papa.) Point Three: Thank you. Thank you for taking the time to read this. Thank you for the insane and unexpected amount of support Carol, Dex, me and Jamie have gotten from you over the past two days. I am… astonished, frankly. You’re challenging my pessimism–which is a very Danvers thing for you to do. And if our book is not for you? That’s okay. You’re not dooming our comics, our gender, the future of comics, or comics by or about women. Taste is subjective and we can still be friends. (You know, though, if you’ve never pre-ordered a comic before, you might take this opportunity to try it–it doesn’t have to be Captain Marvel. You can take support something else–how about an indie or creator-owned book that might not be stocked by your shop at all with out a preorder?) And, lastly, in whatever form it may take, I thank you for your passion for comics. Without that, we would have nothing. Follow me on Twitter, Tumblr or Facebook. Join the conversation on my Jinxworld Forum. |
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© Kelly Sue DeConnick
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