Kelly Sue DeConnick
I don’t remember the year this story starts. 2006, maybe? Whatever the date, this is how I remember it:
I had to miss Heroes Con for some reason. It was probably baby-related. Fraction came home with a copy of 30 DAYS OF NIGHT: EBEN & STELLA #1 that a man named Kenneth had given him and asked me to sign for his daughter. Her name was Autumn.
I thought it was a funny choice — E&S is a pretty gory comic, not really intended for kids, but Fraction explained that she was a gothy preteen with an interest in manga and a notion that she might like to work in comics one day. Her dad was trying to encourage her in that direction. I loved that. I signed the book and sent it off.
The next year at Heroes, baby Henry in tow, I got to meet Autumn and her dad. She and I chatted and as a former gothy-teen myself, I liked her immediately. We exchanged email addresses and corresponded on and off for the next few years. Autumn wasn’t a big letter-writer, but she sent me the occasional character design or thought on a story idea and every year at Heroes she and her dad (and her mom, once or twice) would come by our table and hang out for a bit. (Her dad eventually got published–as both a comic writer and a short story writer too!)
Autumn’s graduated from high school now and I think her interest in comics has waned as sometimes these things do (I put them down for a while at her age too). I still hear from her occasionally on Facebook, but she’s changed her name to Georgie and she’s moved on to different interests for the most part. She seems happy, so I am happy for her.
Still this year at Heroes I kept an eye out for a sassy redhead with raccoon eyeliner and striped arm warmers–a girl I knew wasn’t coming because she only existed in the past. The real Autumn is a grown up now and at that age where a road trip with dad is a hard thing to prioritize. It’s all right and good, but it still breaks my heart a little because even at the age of 42, I want everyone to accept and embrace my evolution, but the evolution of others is a thing that stubbornly defies my understanding.
Don’t you feel sorry for my children?
Where were we? Ah yes. This year at Heroes.
So while I was scanning the crowds for my ghost of teenagers past, a tiny little elfin child slipped in under my view. She was dressed as Fiona from ADVENTURE TIME and she had her father in tow. She leaned in over our table and announced in a voice awfully big for such a small child, “I LIKE TO DRAW NINJAS!”
Well. What would you do? I asked her name. ”Winter,” her father volunteered.
Sometimes, the universe is not subtle.
Next, Winter declared that she and I should make a book together. That I would write and she would draw and it would be about NINJAS. And also zombies. And cheerleaders.
Now… I am a very busy lady right now. I have 3 monthly ongoings, am still wrapping up a graphic novel, I’ve got a creator-owned book slated to start soon, plus a family and oh, we just moved and at some point, I have to get my clothes out of boxes.
But… come on.
“Yes!” I told Winter. “This is a thing we must do.”
Over the next couple of days, Winter’s daddy, Neil, and I conferred on how to make this happen in a way that wouldn’t add any additional stress to my schedule and we settled on this:
Okay, now go tell your friends and organize your art supplies. The first panel description goes up in a week.
EDITED TO ADD A COUPLE OF THINGS:
Okay. Deep breath.
I’ve gone on at some length here and at other places about how–well, I said our system was broken, is broken, but that’s more incendiary verbiage than I ought to have chosen, so let’s go with “how our system works against itself” or “has some kinks to pound out” or–oh, this one’s pretty accurate actually–is experiencing a period of uncomfortable transition. There are much smarter folks than myself analyzing and discussing it on a daily basis. If you’re interested in that sort of thing, a good place to start might be Fred Van Lente’s Comic Book History of Comics or the Awl article that published excerpts just the other day.
Baaaasically, it comes down to this: most comics are still sold through specialty retailers who, unlike traditional bookstores, are not able to return unsold stock. They have limited budgets, limited shelf space and new comics come out every Wednesday! So they have to be very selective about what they buy and in what quantity. They each have their own complicated algorithms for how they place their orders, but it essentially comes down to their needing to buy what they’re pretty sure they can sell. There’s no McDonalds of comic book stores — most of these shops are “mom & pop” businesses being run by people who love the form. They’re not in a position to put their necks on the line every week. For the most part, they have to play it safe.
Safe tends to mean the top selling titles (A-list heroes, A-list creators) get ordered in quantity and everything else (“the midlist”) is ordered sparingly if it’s ordered at all. (Remember: they can’t order everything. They just don’t have room–in the store or in the budget.)
Publishers, in turn, use the order numbers from retailers to determine whether a book is going to continue, and for how long. Remember: these books are not returnable, so from the publisher’s perspective, each order is a sale. As such, they can have their sales figures on a particular issue before the book ever hits the racks. That’s how a book can get cancelled before it ever comes out. And folks, that happens. Not infrequently.
Right here I could bore you with how publishers seem to be reacting to the buying habits of the retailers by publishing more of the A-list titles we talked about before (and or “double shipping” them, which means putting out two issues in one month) and really pruning back the midlist. Can’t blame them, really. That’s how capitalism is supposed to work, right? Right. Okay, I’m going to move on rather than opine on why I think this is a mistake and how it’s resulting in a pruning of readership as well. Honestly, I don’t have an MBA and I’m not in charge of any of these companies. My opinion on this particular issue doesn’t matter all that much and I could well be wrong.
However! I do have a horse in this race. Several, actually. And the best tool I know of to combat the ouroboros of it all is the pre-order.
When you pre-order a comic with your local shop, you are registering your intent to buy said comic. If the shop knows you’re going to buy, well then, that’s a no-brainer sale for them, isn’t it? Most stores will reward a guaranteed purchase with a discount. And at some stores the discounts get deeper if you subscribe to (“pull”) a title, and deeper still if you pull multiple titles. If they get enough pre-orders on a book, the book has “buzz” and they may take a chance and order a few extra copies for the shelf as well. Orders numbers go up, customer is happy, publisher is happy, book exists for at least another month. Everybody wins!
So now we know why. Let’s talk how. For the purpose of this instruction set, I’m going to assume you’re brand new to this whole process. In fact, I’m kind of writing this for my mom and her friends. (Hi, mom. Hi, mom’s friends.) I’m also going to assume that you want to pre-order my book. This process is the same across the board, but, hey, this is my site, I’ve got two kids and let’s not fool anyone here, this activism is borne entirely from a desire to keep Captain Marvel (and Ghost and whatever else I’m writing) coming out every month.
 You should be able to click on the link and print directly from there, or right click to download and print.
 Dark Horse Presents is a very high end and dense anthology, as such it’s a bit pricier than your standard “pamphlet” comic. It’s beautifully bound, is on great stock, with quality covers and runs $7.99.
 IF THE STORE IS NOT HAPPY TO SEE YOU, LEAVE. Most comic book stores are fabulous places that will want to make you feel welcome and bring you into the fold. If you experience anything less, leave. Give your business to a good shop, or if there are no other options in your area, go online. I happen to know that you can pre-order CAPTAIN MARVEL #1 for $1.94 all this month at TFAW.com. Westfield Comics has it for $2.39. Midtown Comics has it for the unbelievable price of $1.49! I don’t know offhand what the shipping fees are for those sites, but I suspect they’re nominal. A brick and mortar store is ideal because it fosters community and it’s fun. But it’s not the only way to go. And there’s no reason in the world for you to be treated like anything less than the gem that you are, so if your local isn’t welcoming to you, walk away.
Okay, that’s all I’ve got for the moment. It’s time for me to go pick up my kids and go on a date with my husband to see Avengers! So excited. I’ll update this as I find typos and whatnot.
Oh and hey — tomorrow’s FREE COMIC BOOK DAY! Happy Free Comic Book Day, everyone!!
Pre-Order Post Addendums!
As predicted, I’ve learned a few things since I made this post. Here they are, as I understand them. Anybody who wants to correct me, please jump right in.
 I have to say I’m kind of heartbroken at the notion that it might be difficult for a new reader to subscribe to a single title. It seems… like an additional barrier to new readership at a time when we desperately need to be growing out audience. Did you know that Marvel offers subscriptions directly through their site? They do! And there doesn’t appear to be a minimum. Unfortunately, they only offer a limited number of titles and it doesn’t look like CAPTAIN MARVEL is one of them. Wah wah. Maybe they’ll add it later. I’ll kept an eye out.
 “Previews” is the comic book industry’s catalog. Previews is published every month and is literally a catalog of all the comics (and statues and magazines and whatnot) that will be available for distribution to your local comic book shop from the distributer “Diamond” three months from the date on the catalog. Got that? Readers can use the Previews catalog pre-order form to order titles (or toys or whatever) through their retailer–not through Previews. That’s a little different than how we tend to think of catalogs working. I just wrote a whole big thing using the Victoria’s Secret catalog as an analogy, but the whole thing seemed overcomplicated so I deleted it. Previews also has a website and a users’ guide.
SECOND ADDENDUM (5/7/2012)
Got this lovely email back from TFAW on the issue of subscription minimums:
If you know what to do with PREORDER CODES, have at it!
MAY120670 AVENGING SPIDER-MAN #9
MAY120693 CAPTAIN MARVEL #1
APR120013 DARK HORSE PRESENTS 13 (With first GHOST Zero Issue Installment!), Phil Noto Cover
…If you don’t know what to do with a pre-order code, hang tight! I’ll be posting information and a downloadable form soon. I promise.
© Kelly Sue DeConnick